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Day 5: How to keep making things


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Day 5

I’m a writer in world that now wants “content providers.”

Lately the writing is thin. Meaning that writing jobs are scarce: something over one-third of all print journalists have lost their jobs and are looking for freelance work, at a time when print publications are shrinking and ads are dwindling. Meaning also that there seems to be no money for or interest in writing that’s not promotional, cheery, and short.

I’ve been asked to write PR and grants . . . . rhetoric that’s meant to convince someone to spend money on something. I can do it, but not quite straight down the middle. The trouble is, I get interested in some aspect of the subject and when that happens it pulls the rhetoric off to the side. It loses its simplicity and directness, and isn’t very effective for the singular purpose of convincing someone to open the checkbook.

So I look, again, for book editing jobs—something I thought I’d never need again.

The End of the World?

J.J. Massa's picture


Hey there! Didja miss me? I’ve had a heck of a month, but then, so has anyone living in the Northeast this winter. This is the perfect season for some Norse mythology, isn’t it?

I’m a big fan of Norse mythology. There’s Loki, Thor, Tyr, Odin…what’s not to love? Okay, the names can get confusing, and pronunciation can be an issue, but we struggle through.

As I sit here on my best girlfriend’s couch—snowed in for the third time in two months, I might add—I am reminded of Ragnarok.

Ragnarok is also called Gotterdammerung, (see what I mean about pronunciation?), and translated to “Doom, or destruction, of the Gods”. The reason it springs so readily to mind for me just now has more to do with the preceding events that toll its arrival.

The first signal that Ragnarok is eminent is the advent of Fimbulvetr, the winter of winters. According to experts, snow will come from all directions, not stopping for three full seasons.

Hmmm… well, we’ve had a day or two of sunshine in between, haven’t we? I guess it’s not the end of the world just yet. I’m okay with that. On the other hand, I’ve just had to resurrect my laptop by re-installing my operating system. Isn’t that considered a natural disaster by today’s standards?

Heartland Bookfest

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Letting Go

Steve Lazarowitz's picture

What would it be like to live a life without regrets? To remember the past, but not feel it intensely? To see the folly of your ways without being embarrassed that they were yours?

Some people are too hard on themselves. You hear it a lot, but what does it really mean and why does it happen? As one of those people, I think I might try to answer this question, not for your benefit, but for my own.

In my heart, I believe myself to be a good person. Of course, many people I would consider to be “bad”, would probably feel the same way. Yet, within the context of the society I live in, I believe most people would not see me as bad. I am basically law-abiding, kind, friendly, and often generous with both time, and money (when I happen to have some). That said, I'm not entirely devoid of faults.

For one thing, I am quick to anger, and I don't suffer fools easily. That said, I've also seen this as a defect (both these things) and have put time and effort into correcting this. I no longer get angry as fast as I once did, and I never particularly stayed angry for long. Also, I've never been one to hold grudges.

Yet as I look back, I can see the pain and suffering my anger has caused others and, sometimes, I feel as if I can never atone for the pain I've caused. The situation was driven home to me recently, when speaking to my stepdaughter from my second marriage.

Miller, John

John, thank you for taking the time for this interview. You have 30 titles under your belt. That’s quite a portfolio! When did you start writing? And what got you started?

Thanks for considering me interesting enough to interview.

Well, to tell you the truth I now have around 67 publishing credits/acceptances. Two in Necrotic Tissue, just received an acceptance at SNM, and the rest are in various anthologies, webzines and print publications. I received an acceptance at Sonar4’s ezine within an hour and fifteen minutes, my fasted acceptance. It couldn’t have come at a better time when, as a writer, I was feeling down, dejected because of all the recent rejections at the time. One of my publishing credits is 2012: Kin Bin Tin Nah, of which I am so proud!

Oops! I didn't realize...that's even more impressive.

I began writing YEARS ago. I had a blog at www.xanga.com and I would post poems, meandering thoughts and stories. Jezzy from Choate Road was one of my friends, and she kept telling me about this writing group called Edit Red. I finally joined. I almost deleted my site there several times, but I kept at it, despite some harsh critiques of my stories. Eventually, I received an email from Greg Hall requesting my involvement in an anthology. He had already invited Jezzy. This was LONG before Greg and Jezzy created Choate Road. The fact that someone felt my fiction was good enough to be in an anthology lit a fire beneath me. I began submitting stories left and right, hoping that it would somehow help the anthology (it didn’t, lol!). I joined Edit Red back in… 2007. During that time I submitted work to an ezine called The Horror Library, and I was invited into the workshop experience at Francis Ford Coppola’s American Zoetrope on November 27, 2007. I came close to quitting Zoetrope many times, too, but now I have a private office with over 350 writers, editors, poets and artists, and I believe there is enough raw talent in that office to set the world on fire.

HUNTING LAKE

Mike Resnick's picture


Written for Lan's Lantern
appeared in Fosfax
republished with permission

In my life, I have written a grand total of three fan letters to writers. One of the recipients, Barry Malzberg, became my closest friend and occasional collaborator. Another, humorist Ross Spencer, also became a good friend. The third was African writer Alexander Lake, who died on Christmas Day, 1961, a month before I wrote to him. I've always regretted not meeting Lake, who has been virtually forgotten by the American reading public, despite a number of bestsellers.

I recently moved Resnick's Library of African Adventure from St. Martin's Press over to Alexander Books. The primary reason was to bring Lake back into print.

Sounds simple, right? I mean, hell, all editors do is sit on their judgment all day and see what comes in the mail.

Well, sometimes it's not quite that easy. Take Lake, for example.

Hell, take the whole damned chronology:

1954: I buy the paperback edition of Killers in Africa at age 12, take it to summer camp with me, read it in its entirety once a week for two months. From that day to this, I am fascinated by all things African, I take 5 safaris, I write 13 books and 18 short stories set in Africa, and I never forget that it is Alexander Lake who awakened this passion in me.

Revamping, Pun Intended

Every so often a person just needs to reinvent herself. Maybe not so often as Madonna, but you know what I mean. Human beings are complex and colorful creatures, and if you try to pigeonhole us, well, we refuse to remain pigeons forever.

This, I guess, is my situation.

Last year was a whirlwind in my world. I published five books. Four of them were related to vampires in one way or another and heck, the fifth one had a vampire story in it too. I love vampires as much as ever, but five is a lot of titles for one year. Meanwhile, I’ve also tried to stay true to my original branding of “erotica with soul,” particularly on my blog and this column. I also continue to like reading and writing spicy romance, but again, this pigeon has been feeling peckish.

So, so far in 2010, apart from doing a bit of promo for How to Catch and Keep a Vampire, I’ve been enjoying getting back into some old hobbies, reading, watching TV and movies, and hanging out with family and friends. Wow, kind of like regular people who don’t have a publishing/writing business apart from their full-time job! It has been very fun and refreshing, but I can never go without writing for long.

Then I had this sudden idea.

NEW : Non-Static Writing | Begins March 9, 2010

Announcements's picture

•NEW : Non-Static Writing | Begins March 9, 2010

Non-Static Writing : 6 Week Workshop begins Tuesday March 9th 2010. This is an online 6 week advanced course on non-static writing taught by yours truly Max Adams. There is a reason movies are called "moving pictures." Because they move. This course is about keeping those pictures moving within a script. Subjects include opening environments, using open and closed environments, moving characters within enclosed environments, using dialogue to create tension within closed environments, and how to kill a scene in under five secondds with an electronic device.

Course fee is $270. Course length is 6 weeks. Seating is limited. Send email for course sign up to : courses @ seemaxrun.com

[you must type out the above email address without the spaces -- we are trying to outwit spam bandits]

*This class is limited to 12 students; class is open for registration and accepting students -- for info and/or to sign up please email the above address.

Classes panels and workshops taught by Screenwriter Max Adams www.seemaxrun.com Schedule of in person appearances by screenwriter Max Adams including screenwriting classes panels seminars and workshops.

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Day 6: Final post: secret book for secret person

The secret book for a secret person: it does exist. It may have an author; it has no audience yet but the dead. It is slowly growing. It’s made on a loom something like Penelope’s: what I weave in the night is undone by day.

I am, that is, finally working on a novel. It’s threaded with bits of my father’s stories of his patients in the impoverished isolated village where I grew up. The people there lived so provisionally, on land that they couldn’t make their own until they’d died into it. I want this book’s language to call into being that great inhuman world. It’s a paradoxical desire: language is human and only human, but it’s the only thing I have that can recreate that definitive ground, here long before the two-leggeds started walking on it. You can inhabit such a place even while it refuses your assumptions.

The narrative is new though the story is old.

I want it to have pictures—the spare drypoint prints I’ve been making.

I think all books should have pictures.

But the key for me now is voice and tense—in everything I read lately, from cereal boxes to William Gibson, I obsess on voice and tense. Third-person voices internal to each character? First person at intervals? A continuous present? Reversions into past tense? What voice will not encrust the flow of event?

Citizen One

Steve Lazarowitz's picture

Those who know me as an author will most likely associate my name with science fiction and fantasy. While those genres are my mainstay, I also have a lesser known affinity for tales of espionage, crime drama and mystery. The key factor that draws me to all these types of stories is their speculative nature, and the propensity to keep me thinking. A good book will keep me thinking long past the minute I finished reading the last page. Citizen One by Andy Oakes is such a story.

Any book that contains murder, particularly some kind of serial killing, has to be outstanding to draw my attention. Citizen One drew my attention due to its setting. The murders take place in The People's Republic of China.

The view of communism I've been most exposed to, via life and literature, was the type of cold war fear engendered by the USSR, the KGB, East Germany, The Cuban Missile Crisis and the Arms race. In truth, I know very little about everyday life in communist China, though this book has increased my knowledge immeasurably. It is often difficult for authors to explain cultures or conditions in a place, without detracting from the tension in a story. In Citizen One, Mr. Oakes uses the setting to create further tension, introducing me not only events and customs that are part of Chinese culture, but also the atmosphere of living and working in such an environment.

Author Collective

Announcements's picture

Authors, Writers and Novelists,

Would you like more exposure for your book? Do you want to go to those always "Talked About" tradeshows but know you just cannot afford them? Are you aware of how much networking can help boost your sales?

What would you pay to attend the following events?

South Carolina Book Festival in Columbia S.C. $375
American Library Association Convention in Washington D.C. $2,200
Book Expo America in New York City $4,500
Texas Book Festival in Houston SOLD OUT
Baltimore Book Festival in Maryland $450
Miami Book Festival in Sunny Florida $600
Printers Row in Chicago $750
National Association of Public Schools Administrators $4,000
Great Lakes Independent Booksellers Tradeshows $1,100

How about $375 for all of these plus twenty-four more. The Author Collective is here to help you sell your work. We exhibit at these shows and others with one goal in mind... SELL BOOKS! Joining the Author Collective allows you access to these events for just the cost of your yearly *membership. We also offer our members no cost access to discounted literary services like, editing and proofreading, graphics and design, isbn's and copyrighting, video services and more. We provide our members invaluable information to self-publish and get deep discounts on book printing too. Saving money is the first step in making money!

The Author Collective

Announcements's picture

Greetings Fellow Authors,

Wow! May 25th is just around the corner. The economy is still sluggish and the tradeshow costs are astronomical. I know most of you cannot afford to spend $3,000 or more to attend the granddaddy of all book conventions, Book Expo America New York though it is a great place to showcase your book. Well you don't have to! Now is the time to join our group and take advantage of the many events in which we participate. Membership offers admittance to the tradeshows convention floor at no additional cost.

Networking, Networking, Networking? Meet thousands of people from around the world who are dedicated to the literary trade. More than sixty thousand buyers, readers, publishers, printers and writers will converge on the Jacob Javits Center for four days in May. Don't miss this chance to promote your book where it really counts!

The Author Collective is here to help the unknown, little known and soon to be well known self-published author put their writings in the faces of the people who buy in quantity. We also give guidance to writers wanting to publish and print their books. This no cost information saves our members thousands of dollars over the so-called self-publishing houses. Browse our website and see what we can do to help your book sales.